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| A Loudness |
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| Molecular Energy |
Click here for more information on Post-Asemic Press: http://postasemicpress.blogspot.com/
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| potential cover art |
Wednesday, January 31, 2018
2 sample pages and cover art from '100 Hybrids,' a book of asemic-hybrid poetry by Jefferson Hansen, coming soon from Post-Asemic Press sometime in 2018!
Click here for more information on Post-Asemic Press: http://postasemicpress.blogspot.com/
Tuesday, January 30, 2018
Monday, January 29, 2018
Sunday, January 28, 2018
Saturday, January 27, 2018
Friday, January 26, 2018
Thursday, January 25, 2018
Wednesday, January 24, 2018
Tuesday, January 23, 2018
Monday, January 22, 2018
Saturday, January 20, 2018
Coming Soon! The Selected Writings of Mirtha Dermisache, from Ugly Duckling Press, in Spring 2018!
Selected Writings
Mirtha Dermisache
Art | $30 $25
Spring 2018
"Her writing is illocutionary: it does the deed."
Using ink on paper, Dermisache invented an array of graphic languages, each with their own unique lexical and syntactic structures. Some resemble a child's scrawl while some feel like nets or knots or transcriptions of seismic waves. Some resemble maps of archipelagos while others look like scores for inscrutable performance. What they all have in common is their remarkable clarity as texts.
Praised by Roland Barthes in the early ‘70s for the “extreme intelligence of the theoretical problems related to writing that [her] work entails,” Dermisache’s writings suggest both an abstract “essence of writing” and a concrete democratization of written forms, an elaborate exploration of the possibilities for ink and page to make and represent thought.
Selected Writings, the first collection of Dermisache’s works to be published in the United States, collects two complete books and a selection of texts from the early 1970s, a rich and prolific period for the artist.
About the Author
Mirtha
Dermisache was born in Buenos Aires in 1940. She studied visual arts at
the Manuel Belgrano and Prilidiano Pueyrredón National School of Fine
Arts.
In 1967 she finished her first 500-page book after which she continued
with the development of her graphisms. Her works were published between
1970 and 1978 by the Center for Art and Communication, led by Jorge
Glusberg.
In the 1970s her graphisms were published by Marc Dachy and Guy
Schraenen in Antwerp as well as in the magazines Flash Art, Doc(k)s, Kontext, Ephemera, and Ax.
Her work was exhibited by Ulises Carrión in the gallery Other books and
So (Amsterdam), and by Roberto Altmann in the Malmö Konsthall (Sweden).
During this same time she created the Workshop of Creative Actions in
Buenos Aires.
In 2004 with Florent Fajole, Dermisache carried out a series of
publishing devices that explore the dimensions of installation and
printing processes, highlighting different conceptual aspects of
publications in the same spatial reality.
Her first solo show in Buenos Aires was presented by The Edge, followed
by exhibitions of her work at the MACBA (Barcelona) and the Center
Pompidou (Paris).
Links
Click here to order the book on AmazonPatrick Durgin on Mirtha Dermisache in Jacket2
“Untitled” and “Diario No. 1 Año 1” in BOMB Magazine’s First Proof
Book Details
Trade PaperbackPerfect-bound. 128 pp, 6.75 x 8.75 in.
ISBN 9781938221170
Publication Date: March 26, 2018
Distribution: DAP
Advance Praise
The subtlety and rigor of her work—her writing without words, typography without text, drawings without images—make Mirtha Dermisache an essential artist—not just of Argentine art, but also of what we have come to call international visual poetry.—Philippe Cyroulnik
Friday, January 19, 2018
Artefacts by O Mayeux is now available at Amazon USA, UK, Canada, & Europe (Germany, France, Italy, Spain)! Post-Asemic Press #006
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| Page 1 of Artefacts |
About Artefacts:
In January 2017, O Mayeux wrote a computer program to dismantle all the poetry he has ever written, to tear it apart at its seams, to stitch its syntax into itself. What remains are these Artefacts, a cycle of asemic poetry. The abstract erotic narrative threaded through these poems is a delicate lament for the fragility of semantics, a tale of how we all remain unreadable to each other.
O Mayeux (http://4f4d.xyz/) is an artist and linguist. Artefacts is his first book.
"Mayeux here takes the bits and pieces, the scraps and refuse of language, the smallest particles, and re-knits them into a unspeakable song, Language clamors and yawps, mutters and sighs a new poetry, a choir of difference, a harmony of letterforms.” — derek beaulieu
"Through
disappointment comes clarity. From clarity comes conviction. And thus,
from conviction, arises opacity, again, inescapable, overlapping, murky.
This beautiful work, Artefacts, is a testament to life, through poetry,
the way it actually is. Broken, eclipsing itself, beautiful, made of
older pieces, physical, disfigured. Showing there can be no real clarity
in language art, just a pristine fracture."
— SJ Fowler
Artefacts by O Mayeux is now available at Amazon USA, UK, Canada, & Europe (Germany, France, Italy, Spain)!
Post-Asemic Press can be found here: http://postasemicpress.blogspot.com/
Click on the following links to purchase the book:
Amazon USA
Amazon UK
Amazon Canada
Amazon Australia
Amazon India
Amazon Brazil
Amazon Japan
Amazon Mexico
Amazon Germany (Deutschland)
Amazon France
Amazon Italy (Italia)
Amazon Spain (España)
Wednesday, January 17, 2018
José Parlá: No Space / Non Place - January 30, 2018 Reception @ NEU SPACE | 42
José Parlá: No Space / Non Place - January 30, 2018 Reception @ NEU SPACE | 42
The Neuberger Museum of Art is delighted to present José Parlá: No Space / Non Place, a newly commissioned public project for NEU SPACE | 42. Parlá is known for his paintings and sculptural works that examine the concept of place. Using the backdrop of world cities, the work explores the accumulated history of urban environments, capturing the essence of a place at the brief moment between past and future. In this group of new paintings Parlá abandons the concept of a specific place to explore a generic urbanism reflecting the turbulence of political situations around the world.
José Parlá: No Space / Non Place is organized by the Neuberger Museum of Art, Purchase College, SUNY, and curated by Avis Larson, Assistant Curator. Generous support for this project is provided by the Friends of the Neuberger Museum of Art and by the Purchase College Foundation.
In Conversation: José Parlá by Neuberger Museum of Art
Meet the Artist Reception & Artist Talk with the Curator
DATE AND TIME:
Tue, January 30, 2018
6:00 PM – 7:30 PM EST
LOCATION:
NEU SPACE | 42
33 West 42nd Street
New York, NY 10036
(across from Bryant Park) located on the ground floor of the SUNY College of Optometry
Ticket Prices:
$5.00 General Admissions register on Eventbrite
FREE Members & Purchase College students, faculty and staff // PLEASE NOTE: Member & Purchase community attendees e-mail NMA.rsvp@purchase.edu and we will reserve a seat.
For more info: neuberger.org.
Monday, January 15, 2018
Saturday, January 13, 2018
Wednesday, January 10, 2018
Tuesday, January 9, 2018
Poem Brut Events
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Monday, January 8, 2018
Sunday, January 7, 2018
Friday, January 5, 2018
Thursday, January 4, 2018
The proof copy of Artefacts by O Mayeux is in! It will be available for purchase sometime in the next 2 weeks | Artefacts is Post-Asemic Press #006
On Artefacts
In January 2017, O
Mayeux wrote a computer program to dismantle all the poetry he has ever written,
to tear it apart at its seams, to stitch its syntax into itself. What remains
are these Artefacts, a cycle of
asemic poetry. The abstract erotic narrative threaded through these poems is a
delicate lament for the fragility of semantics, a tale of how we all remain unreadable
to each other.
Author biography
O Mayeux (http://4f4d.xyz/) is an artist and
linguist.
Post-Asemic Press is a Book Publisher of Asemic Writing and Beyond:
http://postasemicpress.blogspot.com/
Post-Asemic Press is a Book Publisher of Asemic Writing and Beyond:
http://postasemicpress.blogspot.com/
Wednesday, January 3, 2018
82 by Marilyn R. Rosenberg
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| Open folio excerpt #2 from the new unique artists' bookwork, title 82, MRR, 2017 |
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