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Tuesday, January 28, 2020
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A5EMIC Connotations And Asia In A Barbarian by Sean Cornelisse | A New Release from Asemic New Babylon
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Click here to purchase a copy of A5emic Connotations And Asia In A Barbarian from Lulu.
Product Details:
Price: $12.50 US
ISBN: 9780244248758Copyright: Sean Cornelisse (Standard Copyright License)
- Edition: Eerste uitgave
- Publisher: Asemic New Babylon
- Published: January 12, 2020
- Language: English
- Pages: 76
- Binding: Perfect-bound Paperback
- Interior Ink: Black & white
- Weight: 0.36 lbs.
- Dimensions (inches): 5.83 wide x 8.26 tall
Wednesday, January 22, 2020
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Tuesday, January 14, 2020
A letter from Cecil Touchon to Peter Schwenger discussing asemic reading!
Hi Michael, I have been corresponding with Peter Schwenger a bit and he said...
Be sure to check out The Cecil Touchon Asemic Reader published by Post-Asemic Press!
"
This is a wonderful meditation on reading asemic, a topic that hasn’t
been dealt with all that much on the various blogs—at least not to my
knowledge. I think you should send it to Michael Jacobson for posting,
just as it is."
So here is what I wrote...
You
know, I was thinking to myself that reading asemic writing is a
completely different experience than making asemic writing. I notice I
have a hard time putting the same attention on the asemic writing (of my
own for instance) than reading actual text. Even though I am pretty
clear about what I am doing, it is hard to take the required time to
really read all the markings line by line. It seems like it should be
read quickly but I tend to skip through the 'text' taking in mostly the
pattern of it and feel that I need to look at it over and over again to
take it in and feel like I have 'gotten it'. Maybe like listening to
classical music, it is hard to maintain attention the whole time I am
listening and have to listen to a piece many times to feel like I have
really heard the whole thing and can anticipate what is coming. I have
to become really familiar with it. Even like that, I discover new things
now and then. Maybe asemic reading requires the same approach. I wonder
what your experience of reading this type of work is. Or anyone else's
for that matter.
I observe when I show people a notebook of my asemic writing they usually just very quickly page through it and I wonder what they think they are seeing or are they seeing it at all? One reason why I do this kind of work is to present the actual writing itself as its own concrete, unique reality rather being representative of something else.The same argument that stems from abstract or concrete art. I think you say in your book and certainly I have said and considered that the actual physical language text disappears when we are reading and just becomes a dialog in one's head. It is mostly a delivery system.
I observe when I show people a notebook of my asemic writing they usually just very quickly page through it and I wonder what they think they are seeing or are they seeing it at all? One reason why I do this kind of work is to present the actual writing itself as its own concrete, unique reality rather being representative of something else.The same argument that stems from abstract or concrete art. I think you say in your book and certainly I have said and considered that the actual physical language text disappears when we are reading and just becomes a dialog in one's head. It is mostly a delivery system.
Painting was read the same
way
- looking beyond the actual painting to the image it is representing -
before Impressionism that became much more involved with the optics of
paint and really cut loose with Kandinsky and abstraction. People and
even the artists themselves became confused about what they were
supposed to see when they looked at it and how they were supposed to
interact with it and what it might mean to an audience. I suppose that
is still a problem for many.
Because of the very
limited range of our focal point - maybe the size of a dime or even
smaller I would say more like 1/4 of an inch around as far as actually
seeing something - it seems that asemic writing is a very good way to
present an artistic idea in a way where a viewer can look at the whole
thing in a step by step logical flow that allows most of the work - line
by line - to stay in the focal point while looking at it. Focused
seeing.
A further thought...
Compared to normal text where you read through it and it becomes a story in your head that seems to be building an idea or following a train of thought that we are able to hold on to. With asemic reading, there may not be that same sense of having signposts to let you know where you are in the reading. Maybe asemic writing doesn’t have the sense of leading you along a trail since it is like walking through a wilderness where the reader has to develop his own rationale and cut his own internal trail through the work. Hence there may not be a sense of progression as with a literal text that moves along a paved and well marked road and this may cause an inclination toward disengagement.
A further thought...
Compared to normal text where you read through it and it becomes a story in your head that seems to be building an idea or following a train of thought that we are able to hold on to. With asemic reading, there may not be that same sense of having signposts to let you know where you are in the reading. Maybe asemic writing doesn’t have the sense of leading you along a trail since it is like walking through a wilderness where the reader has to develop his own rationale and cut his own internal trail through the work. Hence there may not be a sense of progression as with a literal text that moves along a paved and well marked road and this may cause an inclination toward disengagement.
And about seeing...
Testing
'seeing/reading' vision, look at the text on this page at a comfortable
reading distance maybe 18 inches away I guess. Rest the center of your
vision on a single word. Without moving your eyes, how many words around
that word can you clearly make out while holding your focal point on
the one word. For me, I can only see about a 4-5 letter word completely
clearly with my eyes stationary. I assume that is roughly the same for
everybody unless there is something wrong with my vision. Sure we can
take in quite a bit peripherally but that is all fuzzy and out of focus
until the center of your vision gets to it.
And check out Asemic: The Art of Writing by Peter Schwenger published by The University Of Minnesota Press!