This weblog explores asemic writing in relation to post-literate culture
Tuesday, May 31, 2016
Monday, May 30, 2016
Sunday, May 29, 2016
Friday, May 27, 2016
Thursday, May 26, 2016
Wednesday, May 25, 2016
Tuesday, May 24, 2016
Monday, May 23, 2016
Sunday, May 22, 2016
Friday, May 20, 2016
Thursday, May 19, 2016
Wednesday, May 18, 2016
Pictorial 'Nouns' & 'Grammar' Undone by Andreas Maria Jacobs
These are more paintings then asemic writing although they sure will fit in the definition as depicting language but not as a sequence of words but more as elements of pictorial 'nouns' where the 'grammar' is undone from its supposed formal rules system.
Tuesday, May 17, 2016
Monday, May 16, 2016
3 Asemic Works from David Felix
Littlebirdstellme |
Plant labels |
Pavement brick |
David Felix is a visual poet who comes from a family of artists, magicians and tailors. Born in Wales, UK, sometime during the last century, he was raised on oil paint, sleight of hand and Singer sewing machines. For over fifty years David has been working with language in a visual way - a long history in paint and collage, in three dimensions, in galleries and festivals, publications, performances and video. He is currently based on the island of Funen, in southern Denmark.
Sunday, May 15, 2016
Utsanga.it: Call for Works for a show of Asemic Writing in Italy
Utsanga.it proposes a call for Asemic Writing exhibition. The call concerns asemic handwriting, asemic and Vispo, asemic and glitch, and the other asemic declinations. Curators are: Francesco Aprile, Cristiano Caggiula, Elisa Carella. Curators will choose the works that will be exposed. All the artworks will not given back to the artist because the works will be included in the Utsanga archive. Size limit: 50×70 cm Deadline: 20-07-2016 Send to:
Cristiano Caggiula
Via dei Crispolti 29
Palazzina 12, Interno 12
00159 - Rome
Italy
Saturday, May 14, 2016
Thursday, May 12, 2016
Wednesday, May 11, 2016
Tuesday, May 10, 2016
Monday, May 9, 2016
Sunday, May 8, 2016
Asemic Writing no.1 by Roland Buckingham-Hsiao
Asemic Writing no.1 was produced by placing a sheet of 120
gsm drawing paper underneath rice paper while writing Chinese
calligraphy in seal script. The ink soaked through leaving a ghostly
confused memory of the written language.